Literature

But unlikely as it may seem, the broadcast of one television show in early played an unwitting role in helping to date more closely one particular brand of drum. It was the day the Beatles appeared on the Ed Sullivan Show. Their television debut ushered in not only a new era for rock and roll, but something more. Prompted by the insurance industry, the new regulation mandated serial numbers on certain goods including drums. Our dealers begged us to put them on, so we had our badge manufacturer imprint sequential numbers on the badges for all of our drums. Though in actuality, the way to pin down the elusive age of these drums would call more for the sharp pencil of a record keeper than the skill of a Sherlock Holmes. When we found a drum with both a serial number and complete date stamp present, this data was entered into a serial number index.

William Kentridge

It appears that most of the effort on Ludwig drum dating focused on the Keystone badge drums. I think that most sources are in general agreement when it comes to this era of drums. Of the three Ludwig dating charts presented on the vintagedrumguide http: Whether this is because of lack of interest, lack of interior date stamps, or some other reason, I am not sure. I have the same frustration with the Standard series.

The difficulty in date stamps is, more often than not, that the stamp has been rendered illegible or removed completely due to the wear and tear of the years.

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How To Date 1960’s Ludwig Drums By Serial Numbers

Search our web sites! From here you should be able to gather information to determine what Ludwig Drums you have and what year they were made. What you might not know if you are new to vintage drums is that manufactureres did not keep accurate records and inventory control was not part of the daily operations of drum making.

William Kentridge wins Spanish art prize Kentridge has been awarded the annual Princess of Asturias Award for Art for his outstanding and ongoing contribution to international contemporary art worldwide.

Texans White Supremacists Such informal surveys again suggest that there is a positive correlation between the groups who publicly complain from time to time see discussion below about being portrayed in American movies in a negative manner, and those groups perceived by a cross-section of moviegoers to be consistently negatively or stereotypically portrayed in American movies. The literature of the industry also provides additional evidence of these same patterns of bias in our movies.

Where applicable, references from industry literature are included in the study below. Further, this study is based on thousands of reviews of motion pictures covering the entire period of the existence of the Hollywood-based U. In other words, the movies used as the basis of this study were not specifically selected for that purpose. Rather, the study primarily relies on the selections of several readily available books containing thousands of movie reviews and the authors of those books are not in any way connected to this study.

Arabs and Arab-Americans–Arabs and Arab-Americans have often complained about being negatively or stereotypically portrayed in American movies, an obvious pattern of bias virtually ignored by Medved in his important work Hollywood vs. Considering a more narrowly-defined population, Hollywood historian George MacDonald Fraser reported in that based on his studies, Hollywood movies about ancient Egypt “.

In addition, Nicholas Kaldi, is a U.

Ludwig serial numbers & mfg. dates

Ned Ingberman One of the intriguing aspects of collecting vintage drums is discovering when your instrument was made. But unlikely as it may seem, the broadcast of one television show in early played an unwitting role in helping to date more closely one particular brand of drum. It was the day the Beatles appeared on the Ed Sullivan Show.

On the contrary, a scientific exposition might be of great literary value and a pedestrian poem of none at all.

The work, titled Procession of Reparationists , is inspired by the ex-industrial vocation and workers of the Great Reparations Officine. The black metal sculpture consists of a procession of figures with a strong significance and symbolic value, as it alludes to the work of repairing trains and bodies. As such, the exhibition explores the studio space as a site of performance. In the role of the protagonist of his artworks, Kentridge appears to probe and question the ideas and processes of vision and creativity.

Kentridge engages with question surrounding the creative potential of virtual reality within the field of contemporary art practice and production, and the potential inter- and multidisciplinary practices that exist between the arts and digital technology. Poetic and Political explores two realms of perception often considered oppositional but more likely to work in tandem to make a rich, provocative and compelling visual impact. The exhibition juxtaposes the work of Josef Albers, a single artist focused on the psychic and emotive qualities of colour, with African and African American artists who confront the historic and contemporary traces of colonialism as they contribute to the power of healing and renewal.

The large-scale projection by Kentridge presents a procession of shadowy figures marching to the sounds of a brass band. The motif of the procession is thus transformed into a timeless symbol of movement, displacement and political change. Kentridge explores the existential loneliness of wanderers, depicting them walking in a single file, moving from one country to the next, exchanging the familiar terror of war for the hope of an unknown destination.

William Kentridge wins Spanish art prize Kentridge has been awarded the annual Princess of Asturias Award for Art for his outstanding and ongoing contribution to international contemporary art worldwide. The award is one of eight Asturias prizes handed out annually by a foundation named for Crown Princess Leonor. Other categories include social sciences, sport and scientific research.

Dating ludwig drums serial number

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At least 5 films of the decade featured this issue.

Vintage Drum Guide Search our web sites! I get emails all of the time with a basic drum description and a serial number from visitors in hopes I can unlock the history of their drum. I think in general serial numbers do play an important role in the commercial market especially electronics and other high end items. In the 60’s Insurance companies made it mandatory that serial numbers be put on items so they can be documented.

Unfortunately drum companies never really prescribed to any code of documenting a drum based on that serial number. In fact I once heard that they started using serial numbers not for their own use per say but so schools and institutions could keep track of instruments in inventory. I also get people asking what factory a drum might have shipped from or the exact month a drum was made or even the production numbers etc.

The ever important serial number which some companies keep detailed records of unfortunately does not exist in the history of drums. We also have to state that much of the record keeping was archaic at best and in some cases history was destroyed in plant fires or just tossed in the garbage!.

Database of Articles 11/13 to current

Spanish guitarist and composer Gaspar Sanz was exposed to this new style when he went to Italy to study organ and guitar. He then returned home and published the first collection of mixed rasgueado strummend and punteado plucked guitar solos in Spain in Sanz’s Folia is the quintessential baroque form:

Another American, John Roebling, was two self-serving details to service regeneration efficacy during the place.

The evolution of Ludwig hardware is a detailed and multi-faceted story. For this reason and the aforementioned trend of updating vintage drums, hardware will not be covered in this guide. Date Stamp Date stamps are simultaneously the best and worst means to properly date a Ludwig drum from the ’60s use of the date stamp was discontinued ca. A drum was stamped when the shell was finished, providing the most accurate depiction of the age of wood due to the fact final assembly came later.

The difficulty in date stamps is, more often than not, that the stamp has been rendered illegible or removed completely due to the wear and tear of the years. Aside from the exact date printed on the shell, the color of ink used will assist in identifying the era of the drum and indicate the possibility of forgery. From the inception of date-stamping in through , Ludwig solely used red ink. From to , both red and black inks were used with black as the predominant color.

Genre-Killer

Concerto per flautino, 2 cantatas, trio sonata La Folia, Marcello: His first published work was, as might be expected for strings, a set of twelve ‘Suonate da camera a tre’ c. Vivaldi’s Trio Sonata in D minor ‘La Folia’ RV 63 includes maximum virtuoso figuration for both violins and continuo, with occasional punctuation in the form of slower variations – an Adagio with some very Corellian suspensions, a Larghetto which gives all its attention to the first violin, and a Siciliano.

The web site link is available so feel free to visit their web sites and learn more.

At approximately the , mark in the serial number sequence, Ludwig discontinued the brass Keystone badge and replaced it with the blue and olive parallelogram-shaped badge. The manufacturing division at Ludwig was divided into two basic departments: Shells were constructed, wrapped in mylar, and date stamped in the wood shop. Then the shells were drilled and hardware, heads and badges were installed in final assembly. Sometimes we had thousands of undrilled shells all stacked up on shelves.

When assembly needed a certain size shell in a particular finish, it was pulled from the shelf and sent off to them. Due to the time lapse between when a shell was date stamped and when the badge was installed, some of the drums assembled on the same day with closely matching serial numbers had date stamps that were months apart from one another It also meant that some of the drums with production date stamps close to one another, would have badges with serial numbers that were tens of thousands of digits apart.

When assembly needed more badges, we just took any box at random and put it on the assembly bench. Our main concern was to keep things moving. Ludwig about the probability of a leftover box or two stagnating for months at the bottom of a stack. After a period of time, when the stagnant box was opened and the badges went back in circulation, the serial numbers on those badges would naturally be out of sequence with the others.

For example, when a badge that was out of circulation for three months was eventually installed on a drum, its serial number would be lower than, and discrepant to, the more current badges being installed, by an amount of 33, digits. Since the bins were not always completely empty before being refilled, some badges remained at the bottom, stagnating there for a period of time before finally being used.

On one rare occasion we acquired a drum with a date stamp and a serial number corresponding to


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